Basic Information
| Field | Details |
|---|---|
| Full Name | Juliette Buchs |
| Nationality | French |
| Professions | Model, actress, music-video director |
| Active Years | 2010s–present |
| Known For | Creative work in music videos and short-form film; public appearances with musician Matt Shultz |
| Spouse/Former Spouse | Matt (Matthew) Shultz, married 2014; separation reported circa 2018 |
| Notable Credits | Music videos and short-form projects, including work associated with Cage the Elephant (e.g., “Trouble”) |
| Children | Not publicly reported |
| Parents/Siblings | Not publicly disclosed |
| Financial Information | Not publicly disclosed |
A Portrait at a Glance
Juliette Buchs moves in the half-light that surrounds many working creatives: frequently present, rarely centered. She is a French model and actress who stepped behind the camera to direct music videos and short-form visual pieces, building a résumé that lives mostly in credits lists and festival-style reels rather than splashy talk shows. English-language coverage most often frames her through her past relationship with Matt Shultz, frontman of Cage the Elephant. Yet her own career—fragmented across databases, titles, and quiet releases—tells a story of stamina and craft rather than celebrity spectacle.
Her public-facing persona is sparing, almost minimalist. Appearances at awards shows and on red carpets with Shultz planted her in the lenses of photographers, but her creative work points inward: directing credits on music videos, roles in shorts, an eye tuned to music and mood. Where pop profiles seek backstory, Buchs leaves a gap—an intentional silence—so the images can speak.
Career: From Modeling to the Director’s Chair
Buchs began appearing as a model and actress in the 2010s, the same decade she started gaining credit behind the camera. Music-video credits are the spine of her public work, and they map onto a period when the visual language of indie/alt-rock leaned heavily on strong, cinematic imagery. In that context, her name appears on projects and short films that favor atmosphere: performance intercut with narrative, long looks rather than quick cuts, storylines that hang like a mirage just ahead of the viewer.
Her association with Cage the Elephant—through both personal and professional proximity—placed her near a band known for world-building videos. Public credit lists connect her to work on the group’s material (including “Trouble”), alongside other short-form pieces. These credits underscore a professional arc that starts in front of the camera and bends toward direction and creative leadership.
Without headline-chasing or celebrity branding, Buchs’s output resembles a set of carefully placed pins on a map: small but precise markers that chart growth. It’s a familiar path for multidisciplinary artists—modeling and acting build an eye for framing and performance; directing translates that eye into story and rhythm.
Selected Professional Credits (Publicly Listed)
| Year | Project | Role | Notes |
|---|---|---|---|
| 2010s | Various modeling/acting credits | Model/Actress | Appearances in short-form projects and shoots |
| Mid-2010s | Music video work (incl. Cage the Elephant’s “Trouble”) | Director/Creative | Known credits in music-video and film databases |
| 2010s–2020s | Short-form film/video projects | Director/Producer/Creative | Periodic work listed across industry databases |
Note: The public record for Buchs’s film and music-video work is spread across credit-tracking databases. Titles and roles are typically cataloged in those listings rather than profiled in feature articles.
Family and Personal Relationships
Juliette Buchs married Matt Shultz in 2014. The pair were photographed frequently between 2014 and the late 2010s, appearing at industry events and on red carpets during busy touring and awards cycles for Cage the Elephant. Reports and band biographies indicate they separated around 2018, a timeline echoed in coverage connecting Shultz’s later songwriting to that life period.
Beyond her marriage, details about Buchs’s family are not part of the public record. No widely reported, verifiable accounts list her parents, siblings, or children. The absence of such details is consistent with her overall public footprint: professional credits are visible; private life remains private.
Public Appearances and Cultural Footprint
Buchs’s most visible moments came in the mid-to-late 2010s, when Cage the Elephant won awards and toured heavily. Photographers captured the couple at ceremonies and industry gatherings, and those images traveled widely in entertainment media. The photo trails—dates stamped in agency archives—mirror the arc of the band’s commercial and critical peak in that decade.
In the creative realm, her footprint is more dispersed. Music-video direction is, by nature, collaborative and ephemeral; credits scroll quickly, and visual signatures are shared among directors, cinematographers, editors, and art departments. Buchs’s presence in that ecosystem marks her as a working creative with technical instincts—someone comfortable in the structured chaos of short-form production.
Timeline: Key Public Milestones
| Date | Milestone |
|---|---|
| 2014 | Marriage to Matt Shultz |
| 2015–2017 | Public appearances during major award/tour cycles; music-video and short-form credits accrue |
| Circa 2018 | Reported separation from Shultz |
| 2019–2020s | Continued references in press to the earlier marriage; ongoing low-profile creative work noted in credits listings |
Media Coverage and Privacy
Coverage of Buchs in English-language outlets has typically been indirect, arriving through profiles of Shultz and the band. When album cycles turn over and retrospectives appear, writers nod to the marriage and separation as context for certain songs. By contrast, dedicated features on Buchs herself are rare, and she has not cultivated the kind of public persona that thrives on day-to-day updates.
The result is a deliberate opacity. There are no meaningful public disclosures of her finances. There are no widely circulated biographies with family histories or childhood details. Instead, there is the work, and there are the occasional photographs—snapshots of a career that favors making over narrating.
Style and Approach
Though her credits are the most concrete markers, Buchs’s creative arc suggests a preference for emotionally legible visuals: stories told in glances, gestures, and the textures of place. Music videos demand economy—two to four minutes to conjure a world. Her trajectory from modeling and acting to directing indicates a comfort with the grammar of movement and expression, translating performance into mood and framing.
Like a director who edits in her head, she keeps the narrative tight. Fewer words, more frames. Fewer interviews, more images. The spotlight circles; she stands just offstage, steering.
FAQ
Who is Juliette Buchs?
Juliette Buchs is a French model, actress, and music-video director with credits across short-form projects and music videos.
What is she best known for?
She is most widely recognized in English-language media for her past marriage to Cage the Elephant frontman Matt Shultz and for her music-video work.
When did she marry Matt Shultz?
They married in 2014.
Are they still together?
Public reporting indicates they separated around 2018.
Does she have children?
There are no widely reported or verified public records indicating that she has children.
What are some of her notable projects?
Public credit listings associate her with music-video and short-form film work, including projects connected to Cage the Elephant such as “Trouble.”
Is her net worth known?
No; there are no reliable public disclosures of her finances.
Where is she from in France?
Her nationality is publicly noted as French; further biographical details have not been widely reported.
Does she still work in film and music videos?
Yes, her credits reflect ongoing involvement in short-form visual projects from the 2010s into the 2020s.
Why is there limited information about her family?
Buchs maintains a low public profile, and mainstream coverage focuses primarily on her professional credits and her former marriage.
